In 1554 the queen's governess Françoise d'Estainville, Dame de Paroy, wrote to Mary of Guise asking permission to buy two diamonds to lengthen one of Mary's "touret" headbands, incorporating rubies and pearls the queen already owned, set in gold entredeux or chatons. Her clothes were embroidered with jewels, a white satin skirt front and sleeves featured 120 diamonds and rubies, and coifs for her hair had gold buttons or rubies, sewn by her tailor Nicolas du Moncel in 1551. Lussault himself was a patron of the sculptor Ponce Jacquiot, who designed a fireplace for the goldsmith. Mary had jewels repaired and refashioned by Parisian jewellers including Robert Mangot, who made paternoster beads, and Mathurin Lussault, who also provided gloves, pins, combs and brushes. Among these jewels was a pendant or hat badge made in Edinburgh by John Mosman from Scottish gold, featuring a mermaid set with diamonds and holding a mirror and a ruby comb. In 1556, after her mother Mary of Guise had become regent, Arran returned a large consignment of royal jewels to the young queen in France. For a time, the Earl of Arran was ruler of Scotland as regent. Mary, Queen of Scots, inherited personal jewels belonging to her father, James V. In Scotland her remaining jewels were worn by her son James VI and his favourites.įrench fashion and the Scottish queen Mary continued to buy new jewels, some from France, and use them to reward her supporters. When she abdicated and went to England many of the jewels she left behind in Scotland were sold or pledged for loans, first by her enemies and later by her allies. She gave gifts of jewels to her friends and to reward diplomats. She was bought jewels during her childhood in France, adding to those she inherited. The jewels of Mary, Queen of Scots (1542–1587), are mainly known through the evidence of inventories held by the National Records of Scotland. Mary, Queen of Scots, with ropes of pearl, and pearls embroidered on her bonnet
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